This was probably in 1908. Initially working as a stonemason for Rodin in 1907, Certigny relates that to gain entry to Matisse's atelier for instruction, Brummer, developed into a highly personal style which set Rousseau apart from "Nous sommes les deux plus grands peintres de notre temps, toi, dans le genre égyptien, moi, dans le genre moderne." Brummer posed for his portrait during February-March 1909 in Rousseau's studio at 2 rue Perrel. avantgarde circles. II « Les adieux du vieillard », p.142-3 Voltaire, L’Ingénu, Chap. Tu te souviens, Rousseau, du paysage astèque, Des forêts où poussaient la mangue et l’ananas, Des singes répandant tout le sang des pastèques Et du blond empereur qu’on fusilla là-bas. Some of the outstanding acquisitions made by these museums in the twenties, thirties and forties owed their rediscovery to the extraordinarily sensitive 'Brummer eye'. (Certigny, op. style. He took advice from Gérome and Clément who were probably This device recalls Rousseau's earlier portrait of Pierre Loti (Certigny 233) where the elements appear more anecdotally disparate than in the more harmonised sense of monumentality which permeates the Brummer portrait. 45 5/8 x 34¾in. Instagram. The renown of the Brummer Gallery for handling works as diverse as sculpture, metalwork and carvings from classical antiquity until the Modern period spread far and wide and the links with major museums were always close. Marie Laurencin, Groupe d'artistes (de gauche à droite : Pablo Picasso, Marie Laurencin, Guillaume Apollinaire et Fernande Olivier), huile sur toile, 1908 (The Granger Collection, New York) Apollinaire … The 1890s saw a reaction against Henri Rousseau, Le Rêve 1910, huile sur toile, 204,5 x 298,5 cm, New York, The Museum of Modern Art / Henri Rousseau. sur sa toile, les réduisant à la dimension du chassis. Henri Julien Félix Rousseau, dit Le Douanier Rousseau, La Muse (Marie Laurencin) inspirant le poète (Guillaume Apollinaire), 1908-1909, huile sur toile, Moscou, musée d’État des Beaux-Arts Pouchkine. It is a mistake to think of such a setting as merely a decorative convention to fill space. I, « Comment le prieur de Notre Dame de la Montagne et Mademoiselle sa sœur rencontrèrent un Huron », p. 116-117 Analyse d’image : Henri Rousseau (dit le douanier), Forêt vierge au soleil couchant ou Nègre attaqué par un léopard, p. 144. Le Douanier Rousseau. Guillaume to tribal art, he also sold Greek sculpture to Rodin and D. Catton Rich wrote that Rousseau's portrait of Joseph Brummer, "one of the last he did, shows his friend and dealer seated in a wicker chair before a background of trees, closely allied to the extravagant foliage of the jungles. Ses toiles montrent une technique élaborée, mais leur aspect enfantin lui valurent beaucoup de moqueries. Il se rend ensuite à Paris et rêve de devenir peintre. ("The Brummer Brothers: An Instinct for the Beautiful", Art News, New York, Oct. 1974, pp. The image of Rousseau, the retired "customs officer", as a self-taught Sunday painter was propagated initially by Apollinaire. Alfred Barr was to call him "the greatest of American art dealers". artistic conception was perceived as being closely allied in spirit. While he was too poor to enrol in formal lessons Rousseau always had a healthy respect for the traditions and teachings of the Salon artists. Paris, Les Grandes Serres de l'Orangerie. Douanier Rousseau - Un pittore nella giungla. When his naïve artist. Apollinaire was there with the artist, Marie Laurencin. Il fut surnommé le « Douanier » en raison de sa profession, bien éloignée du monde de l’art. Shchukin Collectio . that were the most remarkable, "les noirs sont des espaces sans Nous t'apportons des pinceaux, des couleurs et des toiles. In Blasco Alarçon's later picture of the event, the Rousseau picture owned by Picasso is displayed in a prominent position over the thronelike chair reserved for Rousseau. This other portrait is obviously the portrait of Brummer. Between the Wars when his gallery was established in New York, Joseph Brummer was instrumental in shaping the collections of celebrated collectors such as Frank Burty Haviland, W. Randolph Hearst, Bradley Martin, Greville Winthrop, Henry Walters and many others. It appears that the picture was painted in the spring of 1909 in (L'Amour de l'Art, Paris, 1920). I in the modern style" --Guillaume Apollinaire and Robert Delaunay. Chtchoukine Collectio - M91ANR depuis la bibliothèque d’Alamy parmi des millions de photos, illustrations et vecteurs en haute résolution. Others present included Brummer, Apollinaire, Delaunay, Soffici, Picasso, Vlaminck, Brancusi, Laurencin, Salmon, Wilhelm Uhde, Serge Férat, Felix Fénéon and many others. lumière qui agissent sur l'oeil comme des couleurs prismatiques en fantasie, avec les changements d'echelle, les 'erreurs' de proportions, les invraisemblances de mise en place, il aboutit à une cohérence (M. Hoog in Le Douanier Mais, pour gagner sa vie, il exercera un autre métier jusqu’en 1893. In his portrait-paysages the model, often seen full-length, is rendered with great clarity and placed against a landscape background which is generally appropriate to the sitter in both nature and sentiment, and complementary to the pictorial structure of the composition. (116 x 88.5cm.) La muse inspirant le poète est un double portrait de Guillaume Apollinaire et de sa muse Marie Laurencin, réalisé en 1909 par le Douanier Rousseau. Il fait payer des taxes sur les marchandises qui entrent dans Paris, comme cela se fait à l’époque. recitals." In contrast, Rousseau saw himself as a completely modern artist However, it is certainly correct to state that Rousseau took great care in arranging his models and in selecting the pictorial setting. With Rousseau’s Portrait of a Woman in full view, Rousseau was seated on a make-shift thrown while a raucous party took place. His work had been exhibited alongside the Fauves at the Salon d'Automne in 1905 and in 1907 he met the collector and critic Wilhelm Uhde who would write an influential monograph on Rousseau in 1911. This limited repertoire of visual signals was gradually Mai 1844 in Laval; 2. construction. Henri Rousseau (1844–1910) fut un peintre autodidacte, souvent qualifié de naïf et moqué par ses contemporains, mais admiré par les avant-gardes du XXe siècle. Henri Rousseau, Le Rêve 1910, huile sur toile, 204,5 x 298,5 cm, New York, The Museum of Modern Art / Henri Rousseau Commencez votre journée en découvrant une œuvre d'art ! Portrait de Joseph Brummer (Portrait-paysage) cit., p. 64). Le poète Guillaume Apollinaire a tracé sur la dalle des vers qui seront ensuite gravés par Constantin Brancusi : Delaunay, sa femme, Monsieur Quéval et moi. The decidedly frontal pose of Joseph Brummer in this picture and the unusual device of portraying the sitter full- length on a chair, was perhaps inspired by Cézanne's portrait of Achille Emperaire (Musée d'Orsay, Paris) which Rousseau saw at The image of Rousseau, the retired "customs officer", as a self-taught Sunday painter was propagated initially by Apollinaire. Rousseau never went to Mexico (another of Apollinaire's myths), he relied on visits to the Jardin des Plantes in Paris and on his own imagination to create his jungle fauna. aesthetics of African art, Neger plastik by Carl Einstein content to humour such an elderly novice. Spesso classificato come un artista naïf, è stato uno dei precursori dell'arte moderna e ispirazione per molti artisti tra cui Picasso, Apollinaire, Delaunay, Kandinsky, Ernst e De Chirico. D. C. Rich observed, "his approach was far from literal. supérieure, tout comme chez les surréalistes ses admirateurs." primitivism. performances of music and theatrical excerpts by those present. "Many art objects were obtained for the Metropolitan (over 400 objects), The Cloisters, the Louvre and other leading museums in America and Europe. Douanier Rousseau, La muse inspirant le poète, 1909 (portrait de Marie Laurencin et Guillaume Apollinaire). survive but gradually found that selling Japanese prints to his fellow artists and avantgarde associates was an increasingly lucrative 2 mai 2018 - Cette épingle a été découverte par Nathan Labat. Henri Rousseau, byname le Douanier (French: “the Customs Officer”), (born May 21, 1844, Laval, France—died Sept. 2, 1910, Paris), French painter who is considered the archetype of the modern naive artist.He is known for his richly coloured and meticulously detailed pictures of lush jungles, wild beasts, and exotic figures. Brummer did not keep his portrait for more than three years as he left Paris in 1912 to go to New York to open an art gallery which was later to become world famous. When Rousseau exhibited this portrait of Joseph Brummer at the Salon des Indépendants in 1909 he termed it a "portrait-paysage", a genre which Rousseau had initiated with his famous Moi-même, portrait-paysage self-portrait (Certigny 45) which he painted in 1890 and with which he announced to the world his ambition to be considered a grand master of modern painting. Other guests were Leo and Gertrude Stein, Braque, Max Jacob, Apollinaire, Laurencin, Salmon, Raynal and many others. admired. A passionate artist who lived only for his art, Rousseau was celebrated by his avantgarde contemporaries (who included Brummer) for his style...Rousseau's technique has now become free and without apparent Commencez votre journée en découvrant une œuvre d'art ! Sa tombe est à Laval dans le jardin de la Perrine. Brummer was responsible for introducing Apollinaire and Paul Although this aspect also brought him the label of being a primitive, and therefore apart from the avantgarde circle, he was actually very much in the mainstream of post-impressionist developments. Henri Rousseau, le Douanier, avait proposé à Apollinaire de réaliser son portrait. renting a shop at 6 Boulevard Raspail where, alongside the familiar Japanese prints, he displayed the objects of his new passions - African and Oceanic "primitive" sculpture and a few pictures by the "new primitive" Henri Rousseau. richesse qui atteste sa connaissance quasi-scientifique du métier." Having the appearance of a theatrical backdrop the background foliage is a creation of Rousseau's imagination designed to complement the character of the sitter and to suit the compositional structure of the picture. Rousseau was in some Rousseau il Doganiere è soprattutto conosciuto per le sue giungle. For Delaunay it was Rousseau's powers as a colorist Few artists had been mocked during their lifetime as Rousseau, and even fewer had faced with equal calm the hail of insults. Twitter. success in handling tribal art in Paris was considerable. Precedents for the pictorial juxtaposition of animals with jungle or exotic locations could be found in the art of Bresdin, Delacroix, Gérome and Ingres, all artists whom Rousseau admired and wished to emulate. Henri Rousseau, dit Le Douanier Rousseau, La Muse inspirant le poète (Guillaume Apollinaire et Marie Laurencin) 1909, huile sur toile, (146 cm x 97 cm), Musée des Beaux-Arts de Bâle. Paudrat writes, "It was Joseph Brummer who, beyond the small group of remarked of Cézanne's pictures, "You know, I could finish all these c'est que je fais un autre portrait dans le même genre." Immediately Brummer became one of the first (and one of the very few) dealers or collectors to buy pictures directly from Rousseau. Osthaus. Le tableau est reproduit à la page 53 du numéro du 15 janvier 1914 des Soirées de Paris. “You recall, Rousseau, the Aztec landscape the forests where mango and pineapple grow. March Rousseau wrote to Guillaume Apollinaire, the model for the poet greatest artists of the age, you in the Egyptian style and I in the parâit avoir été une sorte de nègre blanc, puisqu'il étendait à ses oeuvres son goût des idoles africaines." somewhat simplistic and contributory in part to the myth-making with He tried to acquire works over a period of several years, and finally succeeded in buying one that became famous: La Carriole du Père Junier [Junier’s Cart]. On 23 March, Rousseau asked Brummer for the money to pay for the frame and stated, "Ton portrait a du succès déjà". It is likely that Brummer met Rousseau through the agency of Max Weber, a fellow student at La Grande Chaumière. In 1908 he put the first profits of his dealings into Henri Rousseau est né en 1844 à Laval. September 1910 in Paris) war ein autodidaktischer französischer Maler, dessen Stil dem Postimpressionismus und der Naiven Kunst zugeordnet wird. (Henri Rousseau, New York, 1946, p. 55). Henri Julien Félix Rousseau dit le Douanier Rousseau, né le 21 mai 1844 à Laval et mort le 2 septembre 1910 à Paris, est le plus célèbre représentant des peintres naïfs. His enthusiasm for his subject stretched beyond dealing in its artefacts to organising pioneering exhibitions of tribal art in Henri Rousseau, dit Le Douanier Rousseau, La Muse inspirant le poète (Guillaume Apollinaire et Marie Laurencin) 1909, huile sur toile, (146 cm x 97 cm), Musée des Beaux-Arts de Bâle. Henri Rousseau (Le Douanier Rousseau), The poet and his muse (Guillaume Apollinaire & Marie Laurencin), paris, 1909, oil on canvas. long discussions with his younger artistic colleagues, he started his It was Picasso who gave the Son œuvre très ambitieuse, qui recouvre aussi bien le genre historique que le portrait et le paysage, est peuplée de visions exotiques dont la poésie a séduit des personnalités comme André Breton, Pablo Picasso, Alfred Jarry ou Félix Va… In 1974 there was an exhibition of the Brummer Collection at the Metropolitan Museum. Aujourd'hui, avec le Rêve, une icône du Surréalisme, partez en exploration dans les jungles imaginaires du Douanier Rousseau, mort le 2 septembre 1910. The post-impressionists sought greater self-expression in their art and also a more cerebral and formal pictorial construction. Le grand coloriste, il va de soi, le dispensa de cette besogne, et l'admit gracieusement parmi ses élèves" (op. Afin que tes loisirs sacrés, dans la lumière réelle. (op. between the two versions of Rousseau's other great portrait picture of the period La Muse inspirant le Poète (Certigny 274, Puschkin pictures." In Paris he left the gallery at Faubourg St. of Brummer's portrait which is displayed alongside the still unfinished second version of La Muse inspirant le Poète (Fig. ). Peinture : 3000-2600000 € Dessin : 3000-140000 € Estampe : 20-3600 € Sculpture : 18500-130000 € Si vous souhaitez faire estimer une œuvrede Le Douanier Rousseau, nos experts s’en chargent. d'Avignon period Rousseau remarked, "You, Pablo and I are the two cit., p. 586). Rousseau's own symbolist and poetic interests, his flat, archaistic forms and expressive content allied him directly with contemporaneous post-impressionist developments. il mesura mon nez, ma bouche, mes oreilles, mon front, mes mains, mon Since he did not care for attending cafés for Rousseau, Paris, 1985, p. 235). Er gilt als einer der Wegbereiter des Surrealismus. On 19 or 20 March, the two pictures were at Les Serres de l'Orangerie for the jury to decide on the hanging. As only the preoccupation with high surface finish, minute precision and rigid As the other picture being exhibited was La Muse inspirant le Poète, portraying the well-known Apollinaire and Marie Laurencin, it was natural that Brummer's portrait should receive less attention in the as usual less than complimentary notices in the press reviews. Les noirs brillent et vivent dans les milliers de verts qui se groupent en formant arbres, taillis, forêts. « Modeste employé des douanes Henri Julien Félix Rousseau, dit Le Douanier Rousseau (1844-1910), autodidacte devenu peintre sur le tard, célébré par Alfred Jarry, Apollinaire, Picasso, Robert et Sonia Delaunay, ou Kandinsky, est aujourd’hui reconnu comme l’une des figures les plus originales de l’art de la fin du XIXème et du début du XXème siècle. intérieur et rythmique avec une expression vraie, grave, essentielle d'un arbre et de ses feuilles en rapport avec la forêt. artists who were its first discoverers, contributed to the development of an interest in what was called "art nègre" and moreover ensured Rousseau himself did not ; Certigny 237). Henri Julien Félix Rousseau, genannt Le Douanier (* 21. Son travail, souvent moqué par les autres artistes et critiques, se fait reprocher son manque de perspective, sa naïveté, en bref son amateurisme. the great Cézanne memorial exhibition of 1907 at which Rousseau ne copie pas l'effet extèrieur d'un arbre; il crée un ensemble the purely instinctive and observational art of Impressionism. exotic sculptures of African tribal art and the archaic forms of Thus began the relationship which culminated in Brummer commissioning this major portrait from Rousseau early in 1909. Joseph's initial Classical Egyptian, Grecian or Roman art. Pendant ce On 2 May 1909, after the closure of the Indépendants, Brummer's portrait was brought back to Rousseau's studio where it remained for at least a month before Brummer paid and took collection. Apollinaire Le douanier Rousseau. of conception. On 6 The fauteuil de rotin on which Brummer is seated was part of the furnishings of Rousseau's studio and had been there "[...] un curieux tableau du même douanier Rousseau, une sorte d'apothéose de Guillaume Apollinaire avec, au second plan, une vieiile Marie Laurencin, en guise de Muse. 143). formed the remarkable collection of Negro art assembled by Karl Ernst When commenting to Picasso on a picture of the Demoiselles Télécharger cette image : Henri Rousseau (Le Douanier Rousseau), le poète et sa muse (Guillaume Apollinaire et Marie Laurencin), Paris, 1909, huile sur toile. Laisse passer nos bagages en fraude à la porte du ciel. since at least 1906 when Rousseau himself was photographed seated on it in front of Les Joyeux Farceurs (Fig. By 1908 Rousseau had become a celebrated figure in the Montparnasse Sa tombe est à Laval dans le jardin de la Perrine. At the end he was completely in command of his had liked it and planned to hang it in a good position. Rousseau's art that appealed, "Pour ce Magyar [Brummer], le Douanier Passing references were made by Eon who referred to Rousseau showing, "portraits chaotiques" and by Lestranges who noticed, "délirants portraits d'une naiveté si cocassé." On his death in 1947 he bequeathed works of art to the Metropolitan Museum while another section was sold at auction in 1949. celebrated "Banquet du Douanier Rousseau" in honour of Rousseau at his studio in Le Bateau Lavoir in November 1908. cit., p. 586). Picasso collected several works by Rousseau and was later to call the Portrait de Femme (Certigny 75) which he owned, "une oeuvre de penetration, de décision et de clarté françaises...l'un des portraits psychologiques français les plus revélateurs." Supplément au voyage de Bougainville, chap. Tu les consacres à peindre, comme tu tiras mon portrait. Joseph Brummer also indulged his passion for modern painting by bringing to the New York gallery during the twenties and thirties exhibitions by Brancusi, Derain, Laurens, Matisse, Rouault and Seurat. (completed by 1912 but not published until 1915). feature of the last few years of his life. Mais c’est alors que, soupçonné de complicité de vol d’œuvres d’art au Louvre, le poète est emprisonné à la Santé durant une semaine. who was short of money to pay for the lessons, came up with a novel Le Rêve du Douanier Rousseau : focus sur un chef-d’œuvre. Hab… signed and dated lower left H Rousseau 1909, oil on canvas Like Gauguin, Rousseau came to full-time painting late in life in 1885, at the age of forty. The evening was a symbol of the respect Rousseau engendered amongst the poets, artists and collectors of the Montparnasse circle. essaying modern subject matter in a personal rather than a primitive in La Muse inspirant le Poète, "la preuve de ton tableau plait, ... ou Guillaume Apollinaire. W. H. Forsyth, on the occasion of this exhibition, wrote an article celebrating the great artistic contribution of Joseph and Ernest Brummer to the Arts of Europe and America. 2015 Francia. Paul Guillaume probably discovered the Douanier Rousseau’s paintings through his friend the poet and art critic Guillaume Apollinaire (1880-1918). Rousseau's own exotic iconography was one of the features that attracted the young avantgarde artists of the first decade of this century during their drive towards modernism. Like Gauguin, Rousseau came to full-time painting late in life in 1885, at the age of forty. Henri Rousseau, le Douanier, avait proposé à Apollinaire de réaliser son portrait. funds ran out, Brummer took a variety of short-term jobs in order to Il Apollinaire connaît le succès en 1910 avec un recueil de contes étranges intitulé l’Hérésiaque et Cie, puis avec Le Bestiaire ou Cortège d’Orphée en 1911. which Apollinaire built up the public conception of Rousseau as the Apollinaire made clear the great esteem held by the Cubist painters for his works, calling Rousseau the "Inhabitant of Delight". Chtchoukine Collectio - M91ANR depuis la bibliothèque d’Alamy parmi des millions de photos, illustrations et vecteurs en haute résolution. Taxé de naïf, il n’en est pas moins admiré par les avant-gardes parmi lesquelles Pablo Picasso – collectionneur de la première heure – ou Guillaume Apollinaire. Tous décèlent dans l’œuvre de ce « Giotto moderne » … Painted in Spring 1909, Joseph Brummer, Paris, 1909 (commissioned from Rousseau and received from the Artist, Three Letters from Rousseau to Brummer in. Perhaps this recollection is occupation. Découvrez vos propres épingles sur Pinterest et enregistrez-les. The insouciant manner in which Brummer holds his cigarette in his right hand adds a bohemian element to the general air of shrewd respectability Brummer radiates. Cette exposition souhaite explorer l’univers mental et esthétique d’Apollinaire à travers un parcours thématique : du Douanier Rousseau à Matisse, Picasso, Braque ou Delaunay, du cubisme à l’orphisme et au surréalisme, des sources académiques à la modernité, des arts premiers aux arts populaires. Henri Rousseau (Le Douanier Rousseau), The poet and his muse (Guillaume Apollinaire & Marie Laurencin), paris, 1909, oil on canvas. Le Douanier Rousseau – nommé ainsi en raison de son emploi à l’octroi de Paris – est fasciné par le décor du Jardin des Plantes, qui lui inspire à partir de 1890 les jungles qui feront sa renommée. La Muse inspirant le poète est un double portrait de Marie Laurencin et Guillaume Apollinaire peint par Henri Rousseau en 1909.Un temps la propriété de Paul Rosenberg, cette huile sur toile est aujourd'hui conservée au Kunstmuseum Basel, à Bâle, en Suisse.. Postérité. Impressionist & Modern Paintings & Watercolours, Henri Rousseau, called Le Douanier I in the modern style" --Guillaume Apollinaire and Robert Delaunay. For the younger artists, the older Rousseau became a sort of bridge with earlier art, a simplifying force within the major stylistic transitions of the period. Facebook. He made some 26 jungle pictures in all, mainly executed between 1904-1910. For Rousseau the landscape element was quite as important as the figure." "Rousseau réinventé sa flore, et ne fournit en aucune façon la description d'un paysage plausible. Alfred Jarry, born like Rousseau in Laval, was the first to call Rousseau a primitive and saw distinct parallels in his art with the works of the Italian and Flemish pre-Renaissance primitive artists. Issu d’une famille modeste, il a pendant toute sa vie eu du mal à trouver sa place au milieu de la scène artistique contemporaine. rapports inégaux. Shchukin Collectio 'Portrait de femme', 1895, Le Douanier Rousseau (Henri Rousseau, dit), Picasso Museum, Paris, France, Europe. In the twenty years preceding the Brummer portrait, Rousseau perfected his technique and artistic conception so that this masterpiece represents the culmination of his portraiture, and draws together the various strands of his art into a distillation which was influential for his avantgarde contemporaries and for subsequent generations of artists. While the Brummer portrait cannot be considered a jungle picture it is interesting that as a background for the "art nègre" dealer Rousseau has selected a rich tapestry of variegated trees, foliage and fauna. labour. « Modeste employé des douanes Henri Julien Félix Rousseau, dit Le Douanier Rousseau (1844-1910), autodidacte devenu peintre sur le tard, célébré par Alfred Jarry, Apollinaire, Picasso, Robert et Sonia Delaunay, ou Kandinsky, est aujourd’hui reconnu comme l’une des figures les plus originales de l’art de la fin du XIXème et du début du XXème siècle. Rousseau began his painting career under the influence of folk art traditions with their The mask-like hieratic features of Brummer's face, rendered with tremendous finesse, resemble to some extent the African sculptures in which he dealt. Henri Julien Félix Rousseau dit le Douanier Rousseau, né le 21 mai 1844 à Laval et mort le 2 septembre 1910 à Paris, est le plus célèbre représentant des peintres naïfs. A contemporary photograph shows Rousseau standing proudly, palette in hand, in front Apollinaire est également un critique d'art et fut parmi les premiers défenseurs de l'œuvre de Rousseau caractéristique de l'art naïf. Rousseau 106-107). (Primitivism in 20th Century Art, New York, 1984, p. Son inspiration provient surtout de livres illustrés, de jardins botaniques et rencontres avec des soldats ayant participé à l'intervention française au Mexique. temps, pour me récréer, car il est bien ennuyeux de poser, Rousseau me chantait les chansons de sa jeunesse." modern." Partant d'éléments qu'il dispose à la corps tout entier, et ces mesures, il les transporta fort exactement Giorgio de Chirico, Portrait de Guillaume Apollinaire, 1914, Centre Pompidou, Paris. France, Alpes Maritimes, Cap … Museum, Moscow; and Certigny 277, Kunstmuseum, Basle). Less fortunate when it came to exhibits or selling his own paintings (we cannot count the anecdotes revealing the insignificant value, for a long time, acquired when they were taker, for a few francs) Henri Rousseau (aka Douanier Rousseau) finds himself in the big leagues: Delaunay, Kandinsky, Apollinaire, Picasso among his supporters and friends. La mia lista Condividi. Hungarian by birth, Joseph Brummer (1883-1947) arrived in Paris in the first years of this century to pursue a career as a sculptor. Indépendants jury had seen it by then, Rousseau knew that they suggestion; "Pour pouvoir travailler d'après le modèle à l'Academie Matisse il proposa, en paiement, de balayer l'atelier. Guillaume Apollinaire dit, lors du salon d’Automne ou Le Douanier Rousseau présente Le Rêve : « cette année, personne ne rit, tous sont unanimes : ils admirent. multiplie les contrastes en additionnant les gammes de vert d'une to suit his purpose. Dans la consécration du Douanier Rousseau, artiste dit « naïf », un rôle déterminant a été joué par un petit groupe d’avant-garde : Guillaume Apollinaire, André Salmon, et plus largement les artistes gravitant autour de l’atelier montmartrois de Picasso, le Bateau-Lavoir. His work had been exhibited alongside the Fauves at the Salon d'Automne in 1905 and in 1907 he met the collector and critic Wilhelm Uhde who would write an influential monograph on Rousseau in 1911. his avantgarde contemporaries and from the Salon artists he so Riproduci. European museums and to financing the first major book devoted to the Inspired by his vision he arbitrarily rewove the appearance of nature